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Paul Kahn
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Scriptapalooza TV FINAL DEADLINE April 28
Ongoing thru April 28th
Online

Optimus Feedback Screenplay Competition
Ongoing thru June 2nd
Online



Ten (Perhaps) Surprising Words that Have no Place in Your Screenplay
by Vaughn Roste
Screenwriting Lesson, 3 pages

The Art of Critique: Providing constructive & actionable feedback
Article, 3 pages

Hi! My name is David and I recently just wrote my first...
Posted by David Rose 23 hours ago


ARTICLE: How to Write a Dramatic Scene
in Screenwriting Nuts and Bolts
Posted by Ben Cahan 3 days ago

Read the new article by script analyst Brian Smith
in Screenwriting Nuts and Bolts
Posted by Ben Cahan 6 days ago

Hi! My name is David and I recently just wrote my first ever feature length screenplay. I also really enjoy reading scripts and it looks like everyone has some very cool ideas! Can't wait to dive into this!

Just a heads up to vote in the Battle of the Loglines round 2 - this week we will once again be reducing the numbers to maybe the top 30-40 to set up a final round to determine the top 10.
Thanks to everyone who has been voting to help us find the loglines that might get an executive to give a script a look!

1 Year Preferred memberships and 3 month Citizen memberships are just $39.
Be sure to check out all the benefits of upgrading beyond just supporting our site and mission.

Be sure to read the new article by competition-winning screenwriter Randall Wallace, in which he lays out and explains a basic template you can use to ensure your scenes are loaded with conflict, a basic component of dramatic storytelling.
https://www.talentville.com/snippet/how-to-write-a-dramatic-scene

How to Write a Dramatic Scene
Conflict is easy to see in an action film but more complex in dramas, where conflict involves characters trying to coerce or attack through words alone. In this article, competition-winning screenwriter Randall Wallace lays out and explains a basic template you can use to ensure your scenes a loaded with conflict, a basic component of dramatic storytelling.;

We are on the lookout for the next script we option and develop. Is yours our next project?
We will never know unless you upload it to our Script Library!

Before an audience sees a film in a theater, screenwriters must first impress an audience of studio executives, producers, and readers. Understanding what they are looking for is critical to setting your script on the path to success.
Read the article by Talentville coverage pro Brian Smith.
https://www.talentville.com/snippet/know-your-audience-being-smart-when-shopping-your-screenplay

Know Your Audience: Being smart when shopping your Screenplay
Know your audience is an oft-repeated phrase in Hollywood. When trying to sell your screenplay, screenwriters must remember that before an audience can see your film in a theater, you must impress an audience of studio executives, producers, and readers. Understanding what they are looking for is critical to setting your script on the path to success.;



The new online video master screenwriting class Visual Writing from TheAFW and author and award winning screenwriter Max Adams is now available online. Ooh la la!
https://vimeo.com/389194392?share=copy#t=0

Earn TalentDollars and give a fellow member a critique of their script, all in the pursuit of helping to find the scripts that are worthy of development and beyond.

Be sure to read the new article on the Ten Words that Have no Place in Your Screenplay - written by one of our very own professional story analysts.
https://www.talentville.com/snippet/ten-perhaps-surprising-words-that-have-no-place-in-your-screenplay

Ten (Perhaps) Surprising Words that Have no Place in Your Screenplay
As a screenwriter, you've got 110 pages (more or less) to tell your story. Writing for television? Half or a quarter of that. While novelists can bask in description, screenwriters have nowhere near that kind of luxury. So, let's get to work and excise from our screenplays all the unnecessary verbiage.;




If you are new to Talentville or have questions about how it all works, be sure to check out our FAQs, which contains answers to the most frequently asked questions about the community and how you can make the most of your time here.

Hey, guys! My name is Elsie, and I’m an aspiring screenwriter from St. Petersburg. One of my projects is the pilot for an animated series that I tried to pitch to local studios. However, a few producers who showed interest in the project mentioned that its setting and style are too unusual and not in demand in Russia, which casts doubt on the possibility of bringing this project to life here.
So, I decided to translate the script into English and post it here to see if there’s any chance of it being realized somewhere, sometime in the future.The script was originally written in Russian, and I used AI to help translate it, trying to adapt tricky phrases and jokes. However, there may still be some
imperfect parts, and I apologize in advance for any awkward sections.
Title: Amazing Life of Stan
Logline: "Amazing Life of Stan" is a comedy about a sarcastic lawyer from the comic city of Perfecttown, whose life turns upside down when he discovers that he is a fictional character. Gaining the ability to change the plot of his universe, Stan, along with his friends, faces absurd situations, existential questions, and cultural references, transforming a typical sitcom into a meta-adventure full of humor, drama, and a love for pop culture.
Link to the script: https://drive.google.com/file/d/1gdBfuyAlE7QOOJLT_r76AJCrH4PFg_4c/view?usp=drive_link
I would appreciate any feedback, advice, reviews, or just good wishes!
https://www.talentville.com/showfaq/submissions-uploading--other-essential-info



Hey there! My name is Marcel. Not necessarily my first foray into the screenwriting world, seeing as I've been at it since the Fall of 2022. Nevertheless, I thought I'd see what this site had to offer.
I understand that you can submit your screenplays for reviews, correct?
If so, I might just submit my own. If you're interested, let me know. Cheers!



From one of our Professional Story Analysts, Michael Sweeney, a new article that outlines critical skills needed for anyone who is asked to give feedback on a screenplay.
https://www.talentville.com/snippet/the-art-of-critique-providing-constructive--actionable-feedback

The Art of Critique: Providing constructive & actionable feedback
Screenwriting is a very personal experience, and giving fellow creatives notes and feedback often proves to be a difficult task. To be effective, it requires three fundamental skills: use tact, be as clear as possible, and know your audience.;

ALL APRIL: 20% off ALL Pro Coverage
If you feel your script is ready, get professional feedback from our super-experienced Story Analysts.
https://www.talentville.com/generalstore/coverage

Full Coverage | Talentville Store
Getting high marks from other Talentville Residents is great, but finding out how your script will be received by the Industry is a must to truly know where you stand. Character, structure, plot, pacing, marketability, our coverage experts will break it all down for you, as well as providing you with scores on the same scale used for Talentville Reviews.;
https://www.talentville.com/coveragestaff
And, if you do not pick someone, it is a bit random - I alert some but any online analyst can grab it.


